This is a Vogue 8923 test version. It really is.
The give-away clue is the belt.
I’ve placed the sewn in belt at the front because the panels ended up below my hips. A strange stopping point for someone with my height. So I had to cut into the existing pieces (removing 9cm) to have the colour blocks end at my high hip level. 3cm were later taken off the hem.
This dress didn’t need a back zipper but I’ve used the centre back seam for more shaping.
These are all stash ponte pieces that I thought would work together.
Yes. This is a work dress now.
I did a sway back adjustment on the back.
I also added a roll shoulder adjustment.
I’ve used the 3 thread coverstitch for the neckline, sleeve hem and belt detail.
Before I worked on the hem, I read Threads January 2014 issue and decided to practice hand sewing the hem – page 39 in ‘Sew a sheath dress’ article. I always find a technique or two in each issue, but the January issue had loads of techniques I’ve been working towards.
I’ve used the 3 thread coverstitch for the neckline, sleeve hem and belt detail.
Before I worked on the hem, I read Threads January 2014 issue and decided to practice hand sewing the hem – page 39 in ‘Sew a sheath dress’ article. I always find a technique or two in each issue, but the January issue had loads of techniques I’ve been working towards.
I’ve lined this dress with tricot knit so there’s no clinging to fuss about, or facings used. In case you’re wondering, only the body of the dress is lined and not the sleeves.
I’ll use the black ponte and houndstooth ponte to make the ‘real version‘ – courtesy of Minerva Crafts UK.
They’re a lovely store to work/sew with.
I think I might pop over for the meet up in June.
Want to join me?
